It’s called salt liquorice and you love it or hate it. Mostly it seems to come from Sweden or Finland, but these are from Holland and Son recently discovered them in a traditional sweetshop nearby so he bought some for me. The shopkeeper wondered aloud how anyone could actually eat the stuff. It is salty but also sweet, and the combination of this and the liquorice is indescribably good, if that is the sort of thing you like. It is yin and yang, expansion and contraction, the fusion of opposites, good for this season.
I think I might have had a few too many of them, though. Or perhaps it is something else, a darkness pulling at my muscles, the echo of a song I would rather not hear. Free association can lead you to strange thoughts – sometimes they are signposts that you think for one split moment you recognise, or you almost might if you could only remember how to read the language. Sometimes I think I need poetry because I need something to place against the darkness. I think of some lines of Death Fugue by Paul Celan:
I think I might have had a few too many of them, though. Or perhaps it is something else, a darkness pulling at my muscles, the echo of a song I would rather not hear. Free association can lead you to strange thoughts – sometimes they are signposts that you think for one split moment you recognise, or you almost might if you could only remember how to read the language. Sometimes I think I need poetry because I need something to place against the darkness. I think of some lines of Death Fugue by Paul Celan:
Black milk of daybreak we drink you at night
we drink you at noon in the morning we drink you at sundown
we drink and we drink you
a man lives in the house your golden hair Margarete
your ashen hair Shulamith he plays with the serpents