Into autumn. All
summer I was drawn to the cold sea at Brighton.
I went into it, became accustomed and stopped flinching. I began to understand how people did this all
year round, and why. It shocks the body
into a kind of alertness – wakes it up.
On one of the colder days there was just me in the sea and a woman in a
pink rubber bathing cap, the kind you don’t see any more. There was a faint smear of matching pink on
her lips. I pictured her applying it
earlier, preparing for her date with the sea.
She had English sea-blue eyes.
She said, I like to do this until
December, but I don’t like it so much when the boys have gone. She meant the lifeguard who sits in the
small enclosure made of deckchair material, between the yellow and red
flags. Lifeguards are there from May
until October. The other person on the
beach was an old man, very thin, a little bent but sprightly, and he hopped
over the stones barefoot as though all of him was used to this and at home
there. Stones no longer cut his feet,
his skin was tough enough to withstand the wind and the rough sea only made him
stronger. I was there with M.E. and my
clutch of auto-immune diseases, pretending to be like them. Later I would have to balance the benefits
against the after-effects.
Showing posts with label autumn;. Show all posts
Showing posts with label autumn;. Show all posts
Thursday, September 19, 2013
Nine Hundred Miles
Monday, November 19, 2012
autumn-on-edge
Look, it is autumn here on the edge, and look, it did not rain yesterday. So Mr. Signs took this photograph as evidence, and because he has an iPhone and I don't. The only reason I want an iPhone is for the photograph-taking. This path is near a biodynamic farm with a hut that serves up pies, pastries, coffee and soup, even on a Sunday. We had onion soup with hunks of bread and bought greens and salad from the vegetable stall. I had an apple from one of the crates harvested from the orchards. The rest will be pressed and made into juice which we will be able to buy (at some cost) from the farm shop. We spent time communing with the pigs. A particularly good-looking one came and eyeballed me. One day he might be in a sausage I cook in my frying pan. It is for this kind of reason that I tried to be a vegetarian and would have continued if it hadn't become obvious that doing so was making my precarious health worse.
We have been talking about the difficulties involved in continuing to live in Signs Cottage, and where we should live when the time comes to sell it. To find the right place it would be easiest to move somewhere else. I carry the forest as part of my inner landscape. I don't need to be near it to do that. But I would still be homesick.
Wednesday, September 7, 2011
free flame
I would like to tell you that I am writing this post from my sweet and slender new Mac Air book. I have one, it is up and running, lying with the cat on my bed, as it happens. But I don't yet properly know how to use it. I have to go to classes at the Apple place, not joking. For a not entirely modest amount you can get a year's worth of unlimited tuition, which is what I have got. But in the joy of the purchase (esp as not with my money but in return for certain services rendered - don't ask), and in an atmosphere of almost cult-like upbeat positivity (the shop assistants, if one can call them that, really believe in all things Mac and are radiant with the faith) it just seemed as though I would beam myself there and back, Tardis-like, whenever. Ha ha, I hear you say. Yes, and so I have not actually learned how to do the Mac word-processing thing yet. So this comes to you from my trusty Dell P C.
Well, so I am back, with a radical hair cut, short and spiky, all the old colour gone and the grey is - though I say it myself - pleasing. I was actually only away for a week, cavorting in Monaco harbour, the yachting playground of the disgustingly rich. The yacht that we were on was a mere dinghy in comparison with some of the floating hotels I saw. It was horribly hot and humid, but sailing out into the bay, swimming in the sea, was very good, and I slept well on the boat. But enough of that, I don't want to be telling you about what I did in my summer holidays. No, I have more pressing things on my mind.
Autumn is upon us, says the wind that has been tearing about in these parts, bending the boughs of the oak and ash. It is early, and summer didn't have much of a look-in, but never mind, it is here; and so it is time to review, re-dedicate and focus on what next because that is what I do in autumn, whether or not it seems practical because of the restrictions imposed by M.E. My plan is always, in any case, to be feeling, by whatever degree, better. If that is scuppered it won't be by me, but by M.E. So:
Out comes the new notebook and the intention of doing the Morning Pages again, because doing them is a good thing as long as one does not fall into a pit of writing only about illness and despair, and I do not intend to. My focus will be on process (creative) and the lovely incidentals of life in ordinary, which is good for the soul and for poetry.
The novel is progressing - so slowly that you can hardly see it move, and I've been so hammered with one thing and another that it hasn't been given much time, but still - the evidence is there in black and white word count that it is progressing, and it is still alive in me, the characters have not wasted away, as can sometimes happen when you don't give a story enough attention. A sizeable chunk is waiting to be transferred from notebook to computer. I still find composition best to do with pen and paper and even the beautiful Mac is unlikely to change this.
Not writing much new poetry. Can't be helped, I have promised the novel that it will get the best of my sustained attention. But there are readings coming up - one at the end of this month and another in October, and there is enough to be working on and revising.
Courtesy of lovely Kindle, I have been reading Titus Groan, the first part of the Gormenghast trilogy by Mervyn Peake, a wonderful, fantastical, poetic creation. From time to time the narrator makes an observation that I take to be Mervyn Peake, writer and artist, speaking about how it is when mind is fully present and engaged in the creative act. Here, one of the characters, a young girl called Fuchsia, entering her secret attic place:
As Fuschia climbed into the winding darkness her body was impregnated and made faint by a qualm as of green April. Her heart beat painfully.
This is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or of a woman for their world. For the world of their centre where their lives burn genuinely and with a free flame.
It is always a work in progress for most of us, I think, to reclaim or inhabit that world more fully. To this, with the strong breath of autumn, I re-dedicate myself.
**
Well, so I am back, with a radical hair cut, short and spiky, all the old colour gone and the grey is - though I say it myself - pleasing. I was actually only away for a week, cavorting in Monaco harbour, the yachting playground of the disgustingly rich. The yacht that we were on was a mere dinghy in comparison with some of the floating hotels I saw. It was horribly hot and humid, but sailing out into the bay, swimming in the sea, was very good, and I slept well on the boat. But enough of that, I don't want to be telling you about what I did in my summer holidays. No, I have more pressing things on my mind.
Autumn is upon us, says the wind that has been tearing about in these parts, bending the boughs of the oak and ash. It is early, and summer didn't have much of a look-in, but never mind, it is here; and so it is time to review, re-dedicate and focus on what next because that is what I do in autumn, whether or not it seems practical because of the restrictions imposed by M.E. My plan is always, in any case, to be feeling, by whatever degree, better. If that is scuppered it won't be by me, but by M.E. So:
Out comes the new notebook and the intention of doing the Morning Pages again, because doing them is a good thing as long as one does not fall into a pit of writing only about illness and despair, and I do not intend to. My focus will be on process (creative) and the lovely incidentals of life in ordinary, which is good for the soul and for poetry.
The novel is progressing - so slowly that you can hardly see it move, and I've been so hammered with one thing and another that it hasn't been given much time, but still - the evidence is there in black and white word count that it is progressing, and it is still alive in me, the characters have not wasted away, as can sometimes happen when you don't give a story enough attention. A sizeable chunk is waiting to be transferred from notebook to computer. I still find composition best to do with pen and paper and even the beautiful Mac is unlikely to change this.
Not writing much new poetry. Can't be helped, I have promised the novel that it will get the best of my sustained attention. But there are readings coming up - one at the end of this month and another in October, and there is enough to be working on and revising.
Courtesy of lovely Kindle, I have been reading Titus Groan, the first part of the Gormenghast trilogy by Mervyn Peake, a wonderful, fantastical, poetic creation. From time to time the narrator makes an observation that I take to be Mervyn Peake, writer and artist, speaking about how it is when mind is fully present and engaged in the creative act. Here, one of the characters, a young girl called Fuchsia, entering her secret attic place:
As Fuschia climbed into the winding darkness her body was impregnated and made faint by a qualm as of green April. Her heart beat painfully.
This is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or of a woman for their world. For the world of their centre where their lives burn genuinely and with a free flame.
It is always a work in progress for most of us, I think, to reclaim or inhabit that world more fully. To this, with the strong breath of autumn, I re-dedicate myself.
**
Monday, August 23, 2010
not the last days
I barely had three hours sleep last night so am probably not to be held responsible for whatever might incontinently pour out of my fingers - as the actress said to the bishop. Or as the demented bishop might have said to the actress.
We went to IKEA again the other day - not saying that this accounts for lack of sleep, but just saying. It almost smelled like home though, so clearly something (apart from delinquent immune system) must be malfunctioning. We pushed the leaky boat out and bought the most expensive version of the Poang chair and footstool - with sheepskin cover - which is a clear statement, on my part at any rate, of a plan to couch-potato in extreme comfort when in the Brighton flat. To work, to work, autumn is rushing towards us like an ardent lover. Oh, Autumn! (as daughter, who prefers the summer, poignantly said on her Facebook page last year). Ask of me what you will, and I promise to deliver, but if I don't never blame me. This is one of the reasons why I need the new furniture - so I can Poang-potato after sustained endeavour in the field of words. In the last couple of days I have bashed out over five thousand words - well, copied them out from notebook, so they took longer than that to write. I am not sure where it is going and (almost) don't care any more what becomes of the writing, so long as the writing is happening and just one of the stories that press on me to be written are set down, for if it is not then I don't know how I will account for myself at the everlasting gates when St. Peter, with his great black ledger book, comes to do the reckoning. Not that I plan to be meeting St. Peter any time soon. I feel sure that life has more flotsam to chuck in my direction before that happens.
I am writing a story with a protagonist who is as little like me as it is possible to be, and whenever I write it I feel I am playing truant from the story I was writing last year in NaNo before I was clobbered with Swine flu. This probably helps me to keep writing it because I can trick myself into thinking that it's nothing very important, just something I'm doing for now. I need tricks like this because the thought of beginning another big thing and leaving it unfinished might make me lose heart, and if I do that then it really is all over and you may as well tell St. Peter to open the book.
What did you do in your last days on earth?
I reclined on my Poang chair and watched the boxed set of In Treatment.
And did this enrich the lives of any one of your fellow brethren?
It certainly passed the time agreeably for me - and that's not nothing!
Clang.
(It's suddenly gone very quiet. St. Peter - are you there?)
We went to IKEA again the other day - not saying that this accounts for lack of sleep, but just saying. It almost smelled like home though, so clearly something (apart from delinquent immune system) must be malfunctioning. We pushed the leaky boat out and bought the most expensive version of the Poang chair and footstool - with sheepskin cover - which is a clear statement, on my part at any rate, of a plan to couch-potato in extreme comfort when in the Brighton flat. To work, to work, autumn is rushing towards us like an ardent lover. Oh, Autumn! (as daughter, who prefers the summer, poignantly said on her Facebook page last year). Ask of me what you will, and I promise to deliver, but if I don't never blame me. This is one of the reasons why I need the new furniture - so I can Poang-potato after sustained endeavour in the field of words. In the last couple of days I have bashed out over five thousand words - well, copied them out from notebook, so they took longer than that to write. I am not sure where it is going and (almost) don't care any more what becomes of the writing, so long as the writing is happening and just one of the stories that press on me to be written are set down, for if it is not then I don't know how I will account for myself at the everlasting gates when St. Peter, with his great black ledger book, comes to do the reckoning. Not that I plan to be meeting St. Peter any time soon. I feel sure that life has more flotsam to chuck in my direction before that happens.
I am writing a story with a protagonist who is as little like me as it is possible to be, and whenever I write it I feel I am playing truant from the story I was writing last year in NaNo before I was clobbered with Swine flu. This probably helps me to keep writing it because I can trick myself into thinking that it's nothing very important, just something I'm doing for now. I need tricks like this because the thought of beginning another big thing and leaving it unfinished might make me lose heart, and if I do that then it really is all over and you may as well tell St. Peter to open the book.
What did you do in your last days on earth?
I reclined on my Poang chair and watched the boxed set of In Treatment.
And did this enrich the lives of any one of your fellow brethren?
It certainly passed the time agreeably for me - and that's not nothing!
Clang.
(It's suddenly gone very quiet. St. Peter - are you there?)
Saturday, August 30, 2008
y cumen in
Summer is almost over. I know this because Real Life is beginning to kick in: daughter is back from Edinburgh and now has the grizzly (gristly?) task of finding some means of earning a living that isn’t a) too mind-numbingly ghastly to consider b) working behind a bar for tuppence an hour and c) immoral or illegal – while continuing to put heart into the work she wants to be doing; apples are falling from our tree with unseemly haste and Mr. Signs is making apple and damson jelly; every day we have blackberries; I am filled with equal amounts of anxiety and optimism; making resolutions. And today I did my first poetry workshopping of the season. True, we sat under a canopy of leaves while the sun beat down, it was hot and I wore my summer white clothes for protection, but still I say it is almost over and autumn will be here soon – the sooner the better, far as I’m concerned, let’s have a real one with a bit of bite to it.
And I begin again. Me and the small house and the cat. I live, for periods, hermetically. This is a word I picked up recently from a piece by Jeanette Winterson. It comforted me; to know that someone else lives like this for periods, and this person is a writer I like; that it is possible to be alone, sealed off from society, and still live creatively; because I am by nature social, sociable, but I have M.E. so in order to live in a way that is meaningful I have also to choose solitude.
I remember a nun from a special order, a solitary who lived by herself in a caravan, speaking of how intensely connected she felt to the world as she lived this way. It is true that living a busy life, constantly in the company of others can be strangely disconnecting. One may belong, in a sense, without Belonging. But the solitary way sometimes needs courage, especially for those to whom it doesn’t come naturally. On the other hand, it becomes also a habit, a different kind to the one a nun clothes herself in when she makes her vows, though there may be similarities.
I meet with writers. We share our work and in this way connect at a deep level. But we are, must be, each of us apart – really alone if we are to do this thing.
It will begin soon, autumn. Meanwhile there are berries, birthdays, an orange and almond cake; intimate others.
And I begin again. Me and the small house and the cat. I live, for periods, hermetically. This is a word I picked up recently from a piece by Jeanette Winterson. It comforted me; to know that someone else lives like this for periods, and this person is a writer I like; that it is possible to be alone, sealed off from society, and still live creatively; because I am by nature social, sociable, but I have M.E. so in order to live in a way that is meaningful I have also to choose solitude.
I remember a nun from a special order, a solitary who lived by herself in a caravan, speaking of how intensely connected she felt to the world as she lived this way. It is true that living a busy life, constantly in the company of others can be strangely disconnecting. One may belong, in a sense, without Belonging. But the solitary way sometimes needs courage, especially for those to whom it doesn’t come naturally. On the other hand, it becomes also a habit, a different kind to the one a nun clothes herself in when she makes her vows, though there may be similarities.
I meet with writers. We share our work and in this way connect at a deep level. But we are, must be, each of us apart – really alone if we are to do this thing.
It will begin soon, autumn. Meanwhile there are berries, birthdays, an orange and almond cake; intimate others.
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